One question I'm often asked is, "What kind of designer are you?"
The truth is, I don't really have a single answer.
I'm a multidisciplinary designer because I believe the best ideas don't come from staying in one lane. They come from borrowing, experimenting, and blending different creative disciplines until something entirely new begins to take shape.
My background spans interior architecture, interior design, visual art, painting, 3D printing, digital design, photography, branding, and product design. While they might seem like separate fields, I don't see them that way. To me, they're simply different tools for solving the same problem: creating something meaningful.
Every discipline teaches you to think differently.
Interior architecture teaches me how people move through space. Interior design focuses on atmosphere and emotion. Painting encourages instinct and expression. Lino printing reminds me that imperfections often become the most memorable details. 3D printing allows ideas to move from a screen into something tangible within hours. Digital design gives me the freedom to iterate, refine, and explore without limits.
When these disciplines intersect, that's where the exciting work begins.
A product might start as a hand sketch, borrow composition from a painting, take inspiration from architectural forms, be modelled digitally, manufactured through 3D printing, and finally be finished by hand. Every stage adds another layer of character that wouldn't exist if it came from a single discipline alone.
I don't see creativity as a straight line.
It's a conversation between different crafts.
Some of my best ideas haven't come from looking at other designers. They've come from architecture, nature, galleries, typography, sculpture, everyday objects, or simply asking, "What if these two worlds collided?"
That curiosity has become the foundation of how I work.
In a world where it's becoming easier to create work that looks similar, I think the real opportunity lies in developing a process that's uniquely your own. The goal isn't just to make something beautiful. It's to make something that couldn't have been created any other way.
Being multidisciplinary isn't about collecting skills.
It's about knowing when each discipline has something valuable to contribute.
Every project becomes an opportunity to combine different ways of thinking. Sometimes it's subtle. Sometimes it's obvious. But the outcome is always richer because of it.
I don't create within categories.
I create across them.
Because the most memorable designs rarely belong to just one discipline.